登上卫城，从卫城远眺雅典全城。(On the top of Acropolis, overlook of Athens City)

山门，多利安式圆柱。(Propylaia, Doric column)

山门

蓝天衬映下的爱奥尼亚式圆柱精致而夺目，特征为柱头的羊角状漩涡装饰。(Ionic column in blue sky, delicate and smart.)

伊瑞克提翁神庙，建于公元前408年，最著名的为6个少女像石柱，这是复制品，真迹中有5个保存在卫城博物馆，另一个在大英博物馆。可惜由于时间关系没有在卫城博物馆去看看真迹。(Temple of Erechtheion, famous for the statues of the six girls. These are the copies,for the real ones,five are in the Museumof Acropolis,one is in the British Museum)

让人奇怪的是，明明是6个少女像，但怎么拍都只有5个。请从右边再看一张。(I felt very strange that there six girls indeed, but you can take photos of only five. Please look from the right. )

在少女像面前摆pose的情侣。(Lovers in front of the temple.)

罗马及奥古都斯神庙（Temple of Roma and Augustus）

当帕特农神庙终于出现在我面前时，我不免感到有点小失望，因为她在修膳中。还是十年前读余秋雨的千年一叹就得知：“全世界介绍希腊的图片，如果只有一幅，那一定是它；如果有一本，那封面也必然是它。”因为“这座祭祀雅典守护神雅典娜的神庙，象征着雅典的荣耀与权力”。(I felt a little disappointed when Parthenon stands before me, as it has being repaired for years. Because Mr Yu Qiuyu，the well-known Chinese writer said: “If there is only one picture for Greece, there must be Parthenon”.I think so, just like the Great wall in China. )

如今她就以这种姿态出现在我面前。余秋雨大师说了“巴特农神殿的魅力，在于神话，在于历史。。。。。。在于无与伦比的造型美，单色何以变成了华丽？方正何以变成了丰美？断残何以变成了宁静？正是这些问号，组成了它的魅力。”我非常遗憾地没能拍到它最震撼人的角度。(余秋雨大师的话不能随便翻译。)

恋恋不舍地告别帕特农，把时间再多分配一点给阿提卡剧场。尽管它后于狄俄尼索斯剧场几百年，但视觉上它给人以雄伟、沧桑，看到它耳边就会回荡雅尼那动人心弦的乐曲，眼前就会浮现雅尼指挥现场的优雅与气势。只感慨此曲只应卫城有。。。。。。（Farewell to the Parthenon, we came to the Odeion of Herodes Atticus, though it was built several hundred years later than Dionysos Theatre, it looks more magnificent and has survived many vicissitudes.）

仔细端详由石头筑成的拱形，尽管它残缺不齐，脚下荒草凄凄，但丝毫不损古希腊建筑的辉煌。(through all its vicissitudes, it still stands there)

再来一张（one more）

再来一张，(one more)

羡慕他们如此年轻就能在此留影（They are so young to be here.）